带漆器上飞机、竹编变形、面塑怕潮：一次答清

▍问答

问 ｜ 出国能不能随身带一件漆器上飞机

答 ｜ 一般可以，但要过两道关。据中国非物质文化遗产网，平遥推光漆器髹饰技艺为国家级非物质文化遗产代表性项目，以天然大漆髹涂为主要材料；这类固体器物通常不违禁，贵重或易碎的建议随身携带并做好缓冲，具体以所乘航司的规定为准。第二道是海关：出境与入境都可能涉及工艺品申报，各国对镶嵌、珠玉类材质的要求不同，建议出行前查目的地海关的规定。大漆本身是天然涂料，但若器物含镶嵌或涂装层，稳妥做法是保留购买凭证并如实申报。

问 ｜ 竹编器物用久了会不会变形

答 ｜ 会，但多数可以避免。竹材会随环境含水量轻微胀缩，所谓"记忆"，指的是它胀缩之后仍倾向回到原有形状、又难以完全复原的特性，变形常见于三种情况：长期单侧受光受热（向阳的窗台、暖器旁）、长期压叠受重、以及频繁干湿交替。预防也简单：放置时避开直射与热源，器内不长期盛水，收纳时平放不压。已经轻微变形的，可通过调整摆放（让凹面朝潮湿侧）慢慢回正；变形严重的基本恢复不了，竹材有记忆，但记忆有限。

问 ｜ 泥塑、面塑这类摆件怕不怕潮，怎么存放

答 ｜ 都怕，只是怕法不同。泥塑怕骤干骤湿：湿胀干缩会让胎体开裂，存放宜选湿度平稳、通风但不见直射光的位置。面塑更娇气，它是面粉类材料，怕潮发霉、怕干开裂，也怕虫，适合放在密封盒内配干燥剂，避开厨房与卫生间（据公开资料，面塑类藏品的保存要点正在于此）。两类摆件共同的大忌是直接上手盘玩，手上的油与汗会渗进胎体。

问 ｜ 在韵和鸣买的器物，用法和养护的问题能一直问吗

答 ｜ 当然可以，而且不限于漆器这一类。漆器怎么养、竹编怎么防潮、银饰发黑怎么处理、织锦怎么打理、不同场景该挑哪一类，这些内容都在陆续整理成系列，覆盖漆、竹、绣、银、锦、瓷各类手作。东西买回去是要一直用下去的，问是应该的。

▍说在最后

带得走、放得住，手作才算真的进入了生活。这三件事之外还有什么拿不准的，留言告诉我们，下一期接着答。

📩 非遗项目 ｜ 匠人举荐 ｜ 跨境出海 ｜ 线下联营

欢迎留言或后台联系，我们与匠人同行。

—— 韵和鸣 · 与匠人同行

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English

Can I take a piece of lacquerware on a plane abroad?

Usually yes, but two gates must be passed. The first is aviation: lacquerware is a solid object and generally not prohibited; valuable or fragile pieces are best carried in the cabin with cushioning, following the airline's own rules. The second is customs: both departure and arrival may involve declaration of craft objects, and each country treats inlaid or beaded materials differently, so check the destination's customs rules before travelling. Raw lacquer is a natural coating, but if a piece carries inlay or additional finishes, keep the proof of purchase and declare truthfully.

Will bamboo pieces lose their shape over time?

They can, though most of it is avoidable. Bamboo swells and shrinks slightly with ambient moisture, and distortion usually comes from three causes: one-sided light or heat over a long period, stacking under weight, and repeated swings between wet and dry. Prevention is simple: keep them away from direct sun and heat sources, do not leave water standing inside, and store flat without weight when not in use. A slightly warped piece can often be coaxed back by turning the hollow side toward the damper side of the room; badly warped pieces rarely recover, for bamboo has a memory but a limited one.

Do clay and dough figurines fear damp, and how should they be stored?

Both do, each in its own way. Clay fears sudden swings: swelling and shrinking crack the body, so store it where humidity is steady, ventilated yet out of direct light. Dough figurines are more delicate: being flour-based they mould in damp, crack when dry and attract insects, so a sealed box with desiccant suits them, away from kitchens and bathrooms (public sources note these as the key points for preserving dough pieces). The shared taboo is handling them with bare hands, since skin oil and sweat soak into the body.

Bought something from YUNHEMING: can I keep asking how to use and care for it?

Of course, and not for lacquer alone. How to keep lacquer, protect bamboo from damp, treat darkened silver, care for brocade and choose for different occasions is being organised piece by piece into a series, covering lacquer, bamboo, embroidery, silver, brocade and porcelain. An object taken home is meant to go on being used, so asking is only right.

Only when it can travel and can be kept does a hand-made piece truly enter a life. If anything beyond these three remains uncertain, leave us a comment and we will answer next time.

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