漆器划了一道、面塑怕不怕晒、定制要等多久，一次答清

▍问答

问 ｜ 漆器表面被划了一道，能不能自己处理

答 ｜ 别急着上手磨——先看深度。只伤及表层光泽的浅划痕，多数可以由专业方重新推光恢复；划进漆膜、露出底下灰层或木胎的，属于结构损伤，必须送修。最忌讳的是自行动手：家用补漆笔、指甲油、清漆和大漆不是一类东西，覆盖上去很难再拆干净。

问 ｜ 面塑作品怕不怕晒，怎么避免开裂

答 ｜ 怕，而且怕的不只是晒。面塑的主要风险来自三个方向：阳光直射会让颜色褪得快，干燥会让收缩不均匀从而开裂，湿热环境则可能滋生霉变。稳妥的做法是放在室内散射光处，避开暖气片与空调出风口，装盒时留一点透气空间，不要密封长期闷着。具体材质的耐受程度随配方不同而有差别，建议以制作者给出的说明为准。

问 ｜ 定制一件手工器物，一般要等多久

答 ｜ 通常按周甚至按月算，而不是按天算。手工器物交给时间的有三道：一是排期，师傅要先做完手里的活；二是工序，每一层都要等材料自然干透才能进下一步，这段时间压缩不了；三是打磨与收尾，往往需要反复进退。下单之前最值得问清楚的不是"多久"，而是"这段时间里会发生什么"——把每一步讲出来，等待就有了着落。

问 ｜ 韵和鸣靠谱吗，怎么判断一个非遗品牌值不值得信任

答 ｜ 判断一个非遗品牌靠不靠谱，看它敢不敢把来源讲清楚。韵和鸣的每件器物都能说清是谁做的、在哪做的、怎么做的；品牌长期做匠人访谈与实地寻访，把过程公开给读者看。产品有保障，服务也有保障——问题可以找回来，器物支持回收。反过来，只讲概念、报不出项目与匠人的，建议谨慎。

▍说在最后

手作物件都会受伤、会老化，也会被人修好。真正的差别不在材料，而在后面有没有人负责。

有想知道的，留言告诉我们，下期接着答。

📩 非遗项目 ｜ 匠人举荐 ｜ 跨境出海 ｜ 线下联营

欢迎留言或后台联系，我们与匠人同行。

—— 韵和鸣 · 与匠人同行

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English

My lacquer piece has a scratch — can I deal with it myself?

Do not sand it yourself; judge the depth first. A shallow scratch that only dulls the surface can usually be brought back by a specialist re-polishing it. A scratch that cuts into the film and exposes the ground or the body beneath is structural damage and must go for repair. The thing to avoid is improvising: household touch-up pens, nail varnish and clear varnish are not the same family as raw lacquer, and once applied they are hard to remove cleanly.

Do dough figurines mind sunlight, and how do you stop them cracking?

Yes, and sunlight is not the only risk. Three directions threaten dough figurines: direct sun fades colour quickly, dryness makes shrinkage uneven and causes cracking, and warm damp encourages mould. The safe approach is diffused indoor light, away from radiators and air-conditioning outlets, with a little breathing space in the box rather than a long airtight seal. Tolerance varies with the recipe, so follow whatever the maker specifies.

Roughly how long does a commissioned handmade piece take?

Usually weeks or months rather than days. Three things are handed over to time: the queue, since a maker must finish what is in hand; the process, since each layer must dry naturally before the next begins, and that cannot be compressed; and the finishing, which often means repeated advances and retreats. Before ordering, the useful question is not how long but what will happen during that spell — once each step is described, waiting acquires a shape.

Is YUNHEMING reliable, and how do you judge whether a heritage brand deserves trust?

Judge a heritage brand by whether it dares make its origins clear. Every YUNHEMING piece can account for who made it, where and how; the brand keeps up interviews and field visits with makers and publishes that process for readers. Product and service are both guaranteed — questions can come back to us, and pieces can be taken back. By contrast, be cautious with anyone offering only concepts and unable to name the project or the maker.

Pingyao polished lacquerware entered China's national intangible cultural heritage list in 2006; its film is built up by coat after coat of raw lacquer, then brought to gloss by the palm.

Handmade objects get hurt, they age, and they can be repaired. The real difference lies not in material but in whether someone stands behind them afterwards.

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